David Mamet’s memo to the writing staff of the television show, The Unit, is a clear and concise lesson in dramatic writing. Every writer, director, and actor should read it.
While it is directed toward his writers, Mamet had something very interesting to say about actors. He said, “Someone has to make the scene dramatic. It is not the actor’s job (the actors job is to be truthful). It is not the director’s job. His or her job is to film it straightforwardly and remind the actors to talk fast. It is your job [the writer’s job].”
While I don’t always agree with what Mamet says about actors, I do agree with him that it is the actor’s job to be truthful. Regardless of the play or movie you are acting in, whether it is realistic, post-modern or absurd, the actor’s job is to be honest in the world of the script. Ultimately, the goal of actor training is to help you to be honest in imaginary circumstances and the goal of every acting teacher and every acting book is to help you to play truthfully.
When you see a good performance, the actor has convinced you that he or she is that character and the words being said and actions being done are absolutely right and honest. Honesty coupled with interesting choices makes for great performances.
Remember, honest performances can come in any size or shape. You can be honest in a big, broad comedy or in a musical. You can be truthful in a drama or in an animated film. So if you find yourself struggling with a scene, an audition, or a particular moment, remember – be honest. Talk to the person you are talking to, listen to that person, see that person. If you are alone, respond to the imaginary circumstances and to the situation. The more you do that the easier it will be for you to be honest and your truthfulness in the moment will take you through the problem and invigorate your acting.
